Neal Brennan: 3 Mics at Lynn Redgrave Theater



From the linguistic dexterity and poetic brilliance of the late George Carlin to the rapid-fire, quick-witted, rage-filled rants of the inimitable Lewis Black, I’ve been lucky enough to witness comedic genius in action on quite a number of occasions. As stated in a previous post, storytelling — of which, as I see it, stand-up comedy is a specialized subset — is, in it’s highest form, an art. And Neal Brennan’s inspired performance at the Lynn Redgrave Theater served as a stark reminder of this fact. Continue reading Neal Brennan: 3 Mics at Lynn Redgrave Theater

K2 Friday Nights at the Rubin Museum



A friend of mine was visiting from London years ago, and had brought with her a big box of chocolates she’d picked up on a trip to Belgium. The group of us chatted as we sampled from it, when someone exclaimed, “I can only have one piece, it’s so rich!” Having probably devoured eight pieces by that point, I’ll admit that the notion of having too much of a good thing eluded me in that moment. Continue reading K2 Friday Nights at the Rubin Museum

Isaac Oliver at Joe’s Pub



Storytelling, at its apex, is an art. It requires the philosophical contemplations, critical observations and the communicative dexterity of a writer, coupled with the intuition and instincts of a performer. It has existed from mankind’s earliest days, long before the first written word, as the primary narrative mode to disseminate ideas: communicating historical accounts, outlining philosophical theories, expressing ethical concerns, and challenging cultural norms. Continue reading Isaac Oliver at Joe’s Pub