I’m hungry – take me to the food pairing!
Things move quickly in New York City. What’s here today may very well be gone tomorrow. You’ll wake up one morning and find this fickle city has reinvented itself overnight. Your favorite bar is now a Pier 1 Imports. That bodega, where you buy your egg and cheese on a roll every morning before work, now serves tall, grande, and venti something-something-somethings. Oh, and that legendary theater where you saw that incredible set by Black Keys? Yeah, that’s gone. I have it on good authority it’s gonna be another high-rise luxury condo project. And so goes, for better or worse, the perpetual metamorphosis of this great metropolis.
Continue reading Blink and You’ll Miss It: Street Art Helps a Neighborhood Say Goodbye at Market Surplus
Coney Island is a destination whose season bookends the New York City summer. While there are the requisite roller coaster rides and bumper cars, it’s so much more than an amusement park. It’s home to the New York Aquarium and the Coney Island Circus Sideshow. There’s the beach and the boardwalk. Fireworks on Friday night. And let’s not forget legendary annual events like the Mermaid Parade and the Coney Island Film Festival. Countless memories are made here.
Continue reading Sun, Surf and Street Art: A Visit to Coney Art Walls
Throngs of visitors come to New York City every year to watch the annual Macy’s Thanksgiving Day Parade. It’s such a popular event that hotel rooms along the route have the equivalent of “surge pricing” and still manage to sell out way in advance. That kind of fervor can only mean one thing: New Yorkers will stay very, very far away from it.
Continue reading Making a Splash: The Coney Island Mermaid Parade
If you’ve ever been to Las Vegas, you know that everything there is magnified and exaggerated by a factor of 1000, and it’s easy find yourself with whiplash from taking it all in. I have somewhat mixed feelings on the “More Is More” mantra, but one thing I remember being notably impressed with was the stunning ceiling of glass flowers in the Bellagio. I didn’t know it then, but that was my first experience with Dale Chihuly’s masterful craft.
Continue reading An Explosion of Color: Chihuly at the New York Botanical Garden
I’m not sure if you can tell from the pictures we’ve posted, but I’m kind of… petite. Height-challenged. Runty. Low-profile. Diminutive. Short, okay, I’m short.
Other shorties know the troubles I’ve seen. Trying to discreetly jump to reach something on the top shelf in the grocery store, then finally having to ask for help. Searching for “cute shoes that provide height yet remain comfortable”. (An urban myth, by the way). Having almost every piece of clothing altered. And standing-room concerts? Forget about it.
Continue reading It’s a Small World After All: A Visit to Gulliver’s Gate
There are artists that inspire other artists, and Diane Arbus is one of them. Even if you’re not familiar with her name, you’re likely to be familiar with her work. You might recall seeing her famous photographs, Child with a Toy Hand Grenade in Central Park or Identical Twins, Roselle, NJ (which happens to bear a striking resemblance to the twins from Kubrick’s The Shining). You might also recall a movie starring Nicole Kidman based loosely on her life. When her photographs were shown at MoMa in 1967, the Director of the Department of Photography at the time included Diane Arbus in a new generation of photographers which he believed varied from the photographers of the past in that they “had a belief that the world is worth looking at, and the courage to look at it without theorizing.”
Continue reading Diane Arbus at the Met Breuer
We’re fiercely private people, Lynn and I. And we’re aware — lest you think the irony went unnoticed — that the notion seems laughably conceited coming from bloggers. But that doesn’t make it any less true.
We struggle, regularly, with the ever more blurred and increasingly subtle distinction between the public and private aspects of our lives. Time and time again, we’ve drawn a line in the sand, erased it, moved it forward and back again, in seemingly endless repetition. For most people, this isn’t even an issue. Or, more accurately, it’s not even a consideration. For most people, this line we’ve agonized over, drawn out as some rudimentary, theoretical principle, is a testament to the futility of resisting a new and inevitable reality: there is no line. They believe ours to be a fool’s errand. From their perspective, we might as well have drawn our line near the ocean’s edge at low tide.
So it was with an ambivalent spirit that we recently visited the ICP Museum to experience Public, Private, Secret, an exhibit that was equal parts unsettling and fascinating. It explores “the concept of privacy in today’s society and studies how contemporary self-identity is tied to public visibility” and showcases the work of such talented artists as Zach Blas, Martine Syms, Natalie Bookchin, Cindy Sherman (whom we’ve written about previously in this post here), Nan Goldin, and Andy Warhol. It also includes live-streams of images and videos from myriad social media sources compiled by Mark Ghuneim and ICP’s New Media Narratives students.
Continue reading Public, Private, Secret at the International Center of Photography Museum