Things move quickly in New York City. What’s here today may very well be gone tomorrow. You’ll wake up one morning and find this fickle city has reinvented itself overnight. Your favorite bar is now a Pier 1 Imports. That bodega, where you buy your egg and cheese on a roll every morning before work, now serves tall, grande, and venti something-something-somethings. Oh, and that legendary theater where you saw that incredible set by Black Keys? Yeah, that’s gone. I have it on good authority it’s gonna be another high-rise luxury condo project. And so goes, for better or worse, the perpetual metamorphosis of this great metropolis.
Our recent visit to the Market Surplus is just such an example of the city’s transience. It was a three day flash exhibition held at the historic Lower East Side building formerly home to the Essex Market. It’s a building which, sadly, is scheduled for demolition in the coming weeks.
Market Surplus was the brainchild of New York-based artist, Hanksy, who worked, with the assistance of the developer, Essex Crossing, to bring to fruition his vision. The goal was to produce typically outdoor, semi-permanent, large-scale murals within the confines of this impermanent interior space, all with subtle or explicit thematic references to the neighborhood.
Although Hansky (Hank See as he playfully signed his work in this case) was a contributor, he was only one of many. He brought with him such renowned street artists as Buff Monster, Elle, Faust, NDA, BK Foxx, Owvbics, Pixel Pancho, Sonni, and L’amour Supreme. Market Surplus was meant to come together quickly and disappear quickly, sans the usual hype and promotion.
It was quite a spectacle, seeing so much art crammed into what was, until very recently, just another vacant space. But it was also an impressive show of community. There were neighborhood kids running around. Locals were taking photos and telling stories from days past when they visited the market. A group of dancers were being filmed for a music video. Even the artist himself, Adam Lucas, was on hand to discuss his work as well as the larger exhibition. Donations were accepted to benefit the LES Girls Club. Sure, the building, as well as the art within it, will soon be gone (if not already), and that is certainly a loss. But it’s a loss that the neighborhood can overcome, so long as the culture and community don’t go along with it.
Note: This post is a continuing part of our summer series on street art in New York City. Find the work of many other talented artists in earlier posts below:
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Brunch at Chef’s Club Counter
If you’re as food-obsessed as we are, you’ve probably read listicles, watched Instagram stories and participated in Twitter chats about what the next Avocado Toast is going to be. But we have a confession to make: we’re not ready to move on. And hence we found ourselves at Chef’s Club Counter. We were there for one reason: the Breakfast Plates from Chef Alvin Cailan’s (of LA’s Eggslut fame) guest menu that will soon be part of his new venture Paper Planes.
I went with a safe choice, The Farmer: sautéed asparagus served with 7-grain toast topped with fresh avocado spread and a sunny side up egg. Lynn, being uncharacteristically adventurous (that’s usually my role) went with The Fisherman: Smoked salmon spread on 7-grain toast topped with a sunny side up egg, red onion relish, pickled mustard seeds and chives. And you know we had to share a side of the Hash Nuggets, or as Lynn ridiculed, “fancy ass tater tots”. Okay, she’s right. But you know what? All of it was delicious, even those “fancy ass tater tots”. So there!
shameful side note, if you are the kind of person who would consider eating ice cream following brunch (cough: Justin), then it might be important for you to know there’s a carnival-themed Chef’s Club Counter pop-up of Brooklyn’s OddFellows Ice Cream located in the adjacent space for the summer. But only if you’re that kind of person.
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