If you’re wandering around New York City you might come across these stickers that read “Are you addicted to street art? You’re not alone. There is help! 24/7 Street Art Addiction Hotline,” followed by a phone number. I’m sure it’s just a clever street art campaign, but if your Instagram feed is anything like mine, you might wonder if this is a real thing. Because right now, there’s a LOT of street art, thanks to world-famous street artist Eduardo Kobra.
When we showed up at the new CitizenM Bowery Hotel for our tour of the Museum of Street Art, the chipper front desk clerk showing us the way asked, “Do you know about 5Pointz?” We excitedly proclaimed that we’d actually visited the original (which returned such a big WOW that we felt like we’d just confessed to being present when electricity was discovered). It shouldn’t be surprising. The walls of 5Pointz were whitewashed less than five years ago, but its loss was felt amongst street art lovers worldwide. It’s a local legend, and treated as such.
There’s a saying that goes “Ask no questions, and you’ll hear no lies”. Being duped isn’t generally what one considers a positive experience, but the Museum of Illusions might be able to convince you otherwise. Optical illusions play with motion, color, patterns and space to create images that, when processed by the brain, create a perception that doesn’t match the true image in reality. Remember the viral phenomenon of 2015 where millions of people saw a black and blue dress as white and gold? (And if you do, have you made up with all the friends and family you disagreed with?) Well, that’s just one of many examples where the eyes can deceive.
I’m not a car guy. I don’t collect watches or chase the newest technology. I’m not a smoker and a rare drinker. I only have one significant vice–if it even qualifies–and that’s coffee. I have a deep, visceral, obsessive love for coffee.
“Back home we toss a horseshoe in the pot. Stands up straight, coffee’s ready”
-Frank Hopkins, Hidalgo
When you think of museums in New York City, the usual Manhattan-centric suspects immediately come to mind: MoMA, The Gug, and The Met. If you’re a hardcore museum hound, two of our other favorites, The Whitney or The Frick, might dance their way onto your list. Or perhaps you have children, in which case you’ll think of The American Museum of Natural History, because you’ve seen Night at the Museum no less than a hundred times. Now, what if we told you that two of the best museums in New York City aren’t even located in Manhattan?
We always get excited when visitors start to spend time in New York City’s neighborhoods, because that’s when they discover how wonderfully schizophrenic the city is. There are so many pockets with distinct personalities, and we don’t just mean across ethnic lines like in Chinatown and Koreatown. The Upper West Side and the Upper East Side have distinctly different vibes, and friendships have fractured over the East Village vs. West Village debate. But trekking into the other boroughs is still a daunting task for many. With trendy spots like Williamsburg, Brooklyn gets all the love. But we believe Queens’ criminally underrated, westernmost residential and commercial neighborhood, Long Island City, is the perfect starter neighborhood to explore New York City’s largest borough.
For the past couple years, we’ve found ourselves in Brooklyn in early June, just as the summer has begun in earnest. It’s no coincidence that it happens to be around the time of The Bushwick Collective’s Annual Block Party. Last year’s post kicked off our summer series on street art because The Bushwick Collective is still one of our favorite street art destinations in New York City. In last year’s post, we suggested that if our readers were more interested in art than a rowdy party atmosphere they should avoid visiting the area until shortly after the day of the event. And as it happens, we ended up taking that advice ourselves.
I recently read an article in Slate where Felix Salmon expressed concern that “blockbuster shows are ruining art museums”. Basically, he asserts that these big tent events are often a drag on sometimes woefully underfunded museum and gallery budgets or that they devour resources that would otherwise go to smaller installations and lesser known artists, all the while conditioning audiences to expect bigger and bigger spectacles. It’s a high that simply can’t be sustained. Lynn perfectly conveyed this sentiment when she talked about her underwhelming experience with Huma Bhabha’s Met Rooftop installation in a recent Mad Chatter post. It begs the question: in the age of blockbusters, is there still room for the museum and gallery equivalent of the shoestring budget indie film?
After a gruelingly long but otherwise uneventful winter, spring is finally in the air. Green shoots are muscling their way to the front row. Flowers are taking center stage. The hibernating inhabitants of the city are slowly emerging from their slumber, eager and ready to shed their winter layers and expend all that pent up energy. All the usual suspects come to mind: picnics in Central Park, visits to the Brooklyn Botanic and New York Botanical Gardens, and trips to Governors Island. Patio seats and access to rooftop bars become hot commodities. But we thought we’d offer another, oft-forgotten option to add to your list: Snug Harbor Cultural Center & Botanical Garden in Staten Island.
Whether you’re being grilled at a job interview or filling out a dating profile, you’ve probably been asked to describe yourself in three words. For us, one of those words would be “brunch”. And we’re probably not alone: there are over 18 million posts under the hashtag on Instagram alone. Brunching in New York City is a sport, and we’re training for the Olympics.