Thanksgiving at The Museum of Interesting Things Secret Speakeasy

The Museum of Interesting Things Secret Speakeasy is a traveling, interactive exhibition of antiques, collectibles, and inventions. The focus of the speakeasy is to inspire innovation and creativity. This is achieved through interaction with relics from our past. In many cases, the audience are full-on participants. They assist in unveiling the newest acquisitions, offer their own anecdotes about particular items, and ask insightful questions. Interaction at a secret speakeasy, whether with people or objects, is encouraged. Save for a few exceptions, audience members are entirely welcome to touch the items on display.

The Museum of Interesting Things Secret Speakeasy is presented by its inimitable host, Denny Daniel. He’s the curator and founder of the museum. If you are wondering what the show is like, the general ballpark is a robust mix of Barnum and Baily, Pawn Stars, and Antiques Roadshow. So, in other words, prepare to be entertained.

Please keep in mind that the secret speakeasy has been known to change venues last-minute. We strongly recommended that you check the website before the event. Typically, though, the speakeasy is held at The Loft in Soho at 177 Prince Street. Keep in mind, each month the programming changes to focus on a specific theme, so make sure to join the email list to see what is offered each month. This month’s theme is Eureka! History of Invention: Things that would be in a home 100 yrs ago.

For a preview of the event, read about our experience visiting a prior speakeasy here.

Curiouser and Curiouser: A Visit to The Museum of Interesting Things in New York City

I recently read an article in Slate where Felix Salmon expressed concern that “blockbuster shows are ruining art museums”. Basically, he asserts that these big tent events are often a drag on sometimes woefully underfunded museum and gallery budgets or that they devour resources that would otherwise go to smaller installations and lesser known artists, all the while conditioning audiences to expect bigger and bigger spectacles. It’s a high that simply can’t be sustained. Lynn perfectly conveyed this sentiment when she talked about her underwhelming experience with Huma Bhabha’s Met Rooftop installation in a recent Mad Chatter post. It begs the question: in the age of blockbusters, is there still room for the museum and gallery equivalent of the shoestring budget indie film?

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