Daze: The City is My Muse at Museum of the City of New York



With income inequality becoming one of the defining challenges of our time, it’s not difficult to understand the increasing democratization of art.  In a refusal to cede control to the art world hierarchy, street artists delivered their message wherever they could — public walls and subway cars became means of expression.  It’s unclear when graffiti became mainstream, but there’s no question that it has.  Christina Aguilera bought a Banksy original for £25,000 in 2006.  The Tate Modern in London invited some artists to do outdoor pieces in 2008, and the Museum of Contemporary Arts in Los Angeles ran an “Art in the Streets” exhibition which was billed as “the first major U.S. museum survey of graffiti and street art” in 2011.  A majority of street artists never leave their urban canvas, but Chris Ellis, also known as Daze, is one of the few artists who has managed to successfully transition his work into museums and galleries. Continue reading Daze: The City is My Muse at Museum of the City of New York

Intrude by Amanda Parer at Brookfield Place



“I’m not interested in oversized inflatable rabbits,” I said… never.  

When I heard about Intrude, Amanda Parer’s public art installation at Brookfield Place, I hopped on over as soon as I could (sorry, had to do it!).  The Australian artist first debuted her work at the 2014 Vivid Festival in Sydney (where she’s originally from) and the display has since traveled the world, making its way from London to Sweden to Turkey.  While the large rabbit sculptures — made of nylon, inflated and internally lit — may come off as whimsical over-the-top Easter decorations, like most good art, it actually carries greater significance.

Continue reading Intrude by Amanda Parer at Brookfield Place

Ibrahim El-Salahi: Alhambra at Salon 94



As we’ve established in previous posts, and will likely continue to demonstrate in the future, New York City is home to a staggering number of museums and cultural institutions, and they offer a virtually limitless number of exhibits and installations to appreciate.  While Chelsea has long been the heart of the city’s art scene, art publications like ArtNews and Artsy have been covering the migration of many art galleries to the Lower East Side now that the High Line and the Whitney Museum have ushered in exponential growth, and therefore, rising rents in Chelsea.

Continue reading Ibrahim El-Salahi: Alhambra at Salon 94

The Frick Collection



I’d be hard pressed to name a favorite museum in New York City — it would be like naming a favorite child (if you have over a hundred of them).  But I can assure you that the Frick Collection would be hovering near the top of the list.  It’s such an intimate and warm space, and although many other residences have been converted into museums or galleries, this one still feels like a home. Continue reading The Frick Collection

Heart of Hearts in Times Square

When I was young, my father would take us to these book warehouse sales, where mostly outdated and oddball titles were peddled on the cheap. On one of those trips, I stumbled upon a book about the zodiac which introduced me to the world of astrology. The notion that the supermarket clerk and I could share similar traits based on our birthdates captured my juvenile attention, and when I reached the section with compatibility charts, I quickly looked up the only couple whose birthdays I knew: my parents. Appalled by my findings, I rushed over to my mother and exclaimed “You shouldn’t have married Dad! You’re not compatible!” My mother calmly replied, “If you’re not compatible with someone it doesn’t mean you can’t marry him, it just means the two of you might have to work harder.” Continue reading Heart of Hearts in Times Square

Not a Photo at The Hole

Beauty is in the eye of the beholder. This proverb is often used when discussing art (let’s admit it, usually when we see something we don’t enjoy).  Art appreciation truly is a subjective, personal experience.  We’ve definitely seen our fair share of pieces that have induced that squinty-eyed, cocked-head pose, with a virtual question mark poised neatly above our heads.  While we may not all agree on what constitutes art, whether it’s good or bad, or where it’s headed, we can (hopefully) agree that there’s an abundance of it and we’re better off for it.  We’ve featured street art as well as the more conventional kind found in museums here on the blog, but we’d be remiss if we didn’t also talk about another way to access great art in the city: private galleries. Continue reading Not a Photo at The Hole

The City That Gives You Lemons, Also Gives You Lemonade

New York City has mood swings. Really, really bad ones. One moment it can be sweet, seductive, nearly—dare I say it!—tranquil and the next it can be capricious, defiant, and impossibly, impenetrably aloof. The unfortunate fact of the matter is that you have a better statistical chance of winning the Powerball Jackpot (1 in: 292,201,338 in case you were wondering) than predicting which mood you’ll encounter on any given day. This can make planning an infuriating exercise in futility. Continue reading The City That Gives You Lemons, Also Gives You Lemonade

Meet Adele Bloch-Bauer…twice

The 2015 movie Woman In Gold starring the magnificent Dame Helen Mirren is based on the true story of a woman who takes on the Austrian government in an effort to recover family paintings seized by the Nazis.  Meet the movie’s other leading lady: Adele Bloch-Bauer. Continue reading Meet Adele Bloch-Bauer…twice