Shining City at the Irish Repertory Theatre


Ten years after a successful and critically acclaimed Broadway production, the Irish Repertory Theatre’s revival of Conor McPherson’s Shining City has very, very big shoes to fill — and to our delight, fill them they have, indeed. Continue reading Shining City at the Irish Repertory Theatre

American Psycho on Broadway



American Psycho the Musical is the latest iteration of Bret Easton Ellis’s 1991 novel about Patrick Bateman, a young Wall Street executive obsessed with appearances, and his murderous activities. The musical follows the successful 2000 movie starring Christian Bale in the lead role, of which, admittedly, I am a big fan.  I enjoyed the commentary about materialism as well as the concept of the villain, though highly exaggerated, who lives among us.  As the tale unfolds, we eventually come to learn that some of the murders didn’t take place, leading us to question if any of them did — the realization that we are dealing with an untrustworthy narrator is a nice plot twist that alludes to the inner workings of a disturbed mind. Continue reading American Psycho on Broadway

The Humans on Broadway



Sometimes a play — a really, really good one — gets under your skin and stays there long after the curtain falls. Stephen Karam’s most recent effort, The Humans, is precisely that kind of play. Continue reading The Humans on Broadway

Neal Brennan: 3 Mics at Lynn Redgrave Theater



From the linguistic dexterity and poetic brilliance of the late George Carlin to the rapid-fire, quick-witted, rage-filled rants of the inimitable Lewis Black, I’ve been lucky enough to witness comedic genius in action on quite a number of occasions. As stated in a previous post, storytelling — of which, as I see it, stand-up comedy is a specialized subset — is, in it’s highest form, an art. And Neal Brennan’s inspired performance at the Lynn Redgrave Theater served as a stark reminder of this fact. Continue reading Neal Brennan: 3 Mics at Lynn Redgrave Theater

Isaac Oliver at Joe’s Pub



Storytelling, at its apex, is an art. It requires the philosophical contemplations, critical observations and the communicative dexterity of a writer, coupled with the intuition and instincts of a performer. It has existed from mankind’s earliest days, long before the first written word, as the primary narrative mode to disseminate ideas: communicating historical accounts, outlining philosophical theories, expressing ethical concerns, and challenging cultural norms. Continue reading Isaac Oliver at Joe’s Pub

Nice Fish at St. Ann’s Warehouse

I really enjoy theater. Always have. I was captivated the moment I first attended a stage performance. It must have been A Midsummer Night’s Dream or Our Town or The Crucible, though, for the life of me, I can’t recall which. Continue reading Nice Fish at St. Ann’s Warehouse

Hasan Minhaj: Homecoming King at Cherry Lane Theatre

Standing in the small bend on Commerce Street in the West Village, waiting for the doors of the Cherry Lane Theatre to open, I take a quick glance around and note that Hasan Minhaj’s demographic is mostly what you’d expect: young and ethnic (myself included – well, definitely ethnic, young, not so much) .  And unsurprisingly, he starts out his performance acknowledging the “brown people” in the audience.  I cringe a little, fearing we’re in for a stale series of immigrant jokes that panders to a growing minority.  Thankfully, it pulls out of that treacherous territory quickly.   Continue reading Hasan Minhaj: Homecoming King at Cherry Lane Theatre